There's a whole lot of former Star Wars fans out there today, and we say "former" because once George Lucas made the fatal (but lucrative for him) decision to sell the franchise to Disney the beloved brand was doomed to lose a majority of its existing audience. To date, Disney has burned every ounce of fan capital it once had and each successive Star Wars movie and series has performed worse than the the last in terms of box office and viewership. And, it was all done in the name of going woke.
Disney as a company has become the mascot for "Get Woke, Go Broke" with an extensive list of theatrical and streaming service failures the past few years, and they continue to refuse to learn from their mistakes. The bottom line? Legacy companies like Disney are willing to destroy their own brand in the pursuit of political propaganda; they'll keep on pontificating about Diversity, Equity and Inclusion until they are bankrupt.
Their upcoming Star Wars streaming format release called 'The Acolyte' is expected by many to become the worst woke/feminist disaster in the company's history handling the franchise. And, it might not be a coincidence that their latest DEI endeavor will be directed by a former assistant to Harvey Weinstein, the very man that the "Me Too" movement was created to admonish.
How aware was Leslie Headland to the casting-couch activities of her boss when she was his assistant? It's hard to say. However, Hollywood has determined that her status as a lesbian and queer activist negates any connections she might have had to that ugly association.
Interviews with Headland suggest she will be bringing all her activism and politics to the latest Disney Star Wars installment along with a predictable interest in making the classic archetypal tale about good and evil "morally ambiguous." As she notes in the Hollywood Reporter:
"People who are good guys can be bad guys, and people who are bad guys can be good guys. There’s a lot of moral ambiguity, which is why Jodie’s [Turner-Smith] line in the trailer is so important: “This isn’t about good or bad; this is about power and who is allowed to use it.” And I believe, of course, that the Jedi are a benevolent, well-intentioned institution, but they are an institution and they have amassed all the power..."
As with all woke activism, good and evil are considered relative social constructs that don't really exist, and Headland wants to bring that philosophy to Star Wars. In other words, the Sith might do things that are considered evil, but did you ever ask yourself how they feel about it? What if they have an emotional justification for their actions?
Any normal person would say "Who cares?" But writers and directors with narcissistic tendencies don't understand the world of heroism or moral principle. They are also incapable of writing from another person's perspective and are only capable of injecting their own views into everything they touch. Moral ambiguity is a completely counterintuitive interpretation to the symbolism of Star Wars, as well as contrary to what the vast majority of audiences connect with.
The entertainment media is also buzzing with excitement over the amount of LGBT representation in The Acolyte, with a number of gay and trans actors and crew members involved. Not to mention, the show trailer is noticeably devoid of white male characters; par for the course in today's far-left content. Kathleen Kennedy's mantra of "the force is female" is heavily present here.
As usual, the show is being sold on the basis of its diversity rather than the merit of its storytelling, with cast and crew asserting that Star Wars is finally "safe for black nerds" and other minorities because now they can see themselves represented on screen. Of course, if you can't relate to a well written story unless the characters share your skin color or ethnic background, then there's probably something very wrong with you.
The production is tied directly to Disney's 'The High Republic' book series, which is widely regarded as an epic marketing blunder and dismal seller. The books showcase an array of leftist ideological concepts that immediately turned off readers, and fans have long suspected that Disney's agenda was to eventually replace all Star Wars lore with High Republic wokism. Added to the terrible base material is Headland's own fan fiction, which she admits she wrote when she was younger and is at least partially ingrained into the show.
At this time, The Acolyte trailer has received 366,000 dislikes on YouTube, compared to 160,000 likes and Disney executives are allegedly scrambling to produce positive PR. Disney denies that their DEI based content has anything to do with the growing public skepticism for the show. In what has become an endlessly repeating cycle, Hollywood produces woke bomb after woke bomb, refuses to admit that wokeness is the problem, the movies or series are quickly forgotten and then they start all over again.
There’s a whole lot of former Star Wars fans out there today, and we say “former” because once George Lucas made the fatal (but lucrative for him) decision to sell the franchise to Disney the beloved brand was doomed to lose a majority of its existing audience. To date, Disney has burned every ounce of fan capital it once had and each successive Star Wars movie and series has performed worse than the last in terms of box office and viewership. And, it was all done in the name of going woke.
Disney as a company has become the mascot for “Get Woke, Go Broke” with an extensive list of theatrical and streaming service failures the past few years, and they continue to refuse to learn from their mistakes. The bottom line? Legacy companies like Disney are willing to destroy their own market share in the pursuit of political propaganda; they’ll keep on pontificating about Diversity, Equity and Inclusion until they are bankrupt.
Their upcoming Star Wars streaming format release called ‘The Acolyte’ is expected by many to become the worst woke/feminist disaster in the company’s history handling the franchise. And, it might not be a coincidence that their latest DEI endeavor will be directed by a former assistant to Harvey Weinstein, the very man that the “Me Too” movement was created to admonish.
How aware was Leslie Headland of the casting-couch activities of her boss when she was his assistant? It’s hard to say. However, Hollywood has determined that her status as a lesbian and queer activist negates any connections she might have had to that ugly association.
Interviews with Headland suggest she will be bringing all her activism and politics to the latest Disney Star Wars installment along with a predictable interest in making the classic archetypal tale about good and evil “morally ambiguous.” As she notes in the Hollywood Reporter:
“People who are good guys can be bad guys, and people who are bad guys can be good guys. There’s a lot of moral ambiguity, which is why Jodie’s [Turner-Smith] line in the trailer is so important: “This isn’t about good or bad; this is about power and who is allowed to use it.” And I believe, of course, that the Jedi are a benevolent, well-intentioned institution, but they are an institution and they have amassed all the power…”
As with all woke activism, good and evil are considered relative social constructs that don’t really exist, and Headland wants to bring that philosophy to Star Wars. In other words, the Sith might do things that are considered evil, but did you ever ask yourself how they feel about it? What if they have an emotional justification for their actions?
Any normal person would say “Who cares?” But writers and directors with narcissistic tendencies don’t understand the world of heroism or moral principle. They are also incapable of writing from another person’s perspective and are only capable of injecting their own views into everything they touch. Moral ambiguity is a completely counterintuitive interpretation to the symbolism of Star Wars, as well as contrary to what the vast majority of audiences connect with.
The entertainment media is also buzzing with excitement over the amount of LGBT representation in The Acolyte, with a number of gay and trans actors and crew members involved. Not to mention, the show trailer is noticeably devoid of white male characters; par for the course in today’s far-left content. Kathleen Kennedy’s mantra of “the force is female” is heavily present here.
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As usual, the show is being sold on the basis of its diversity rather than the merit of its storytelling, with cast and crew asserting that Star Wars is finally “safe for black nerds” and other minorities because now they can see themselves represented on screen. Of course, if you can’t relate to a well written story unless the characters share your skin color or ethnic background, then there’s probably something very wrong with you.
The production is tied directly to Disney’s ‘The High Republic’ book series, which is widely regarded as an epic marketing blunder and dismal seller. The books showcase an array of leftist ideological concepts that immediately turned off readers, and fans have long suspected that Disney’s agenda was to eventually replace all Star Wars lore with High Republic wokism. Added to the terrible base material is Headland’s own fan fiction, which she admits she wrote when she was younger and is at least partially ingrained into the show.
At this time, The Acolyte trailer has received 366,000 dislikes on YouTube, compared to 160,000 likes and Disney executives are allegedly scrambling to produce positive PR. Disney denies that their DEI based content has anything to do with the growing public skepticism for the show. In what has become an endlessly repeating cycle, Hollywood produces woke bomb after woke bomb, refuses to admit that wokeness is the problem, the movies or series are quickly forgotten and then they start all over again.
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