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January 27, 2023

Every society is influenced by its culture, just as every society defines what is ‘normal’ and ‘acceptable’ in order for it to function optimally and be responsive to the needs of the majority of its citizens.

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That said, every society sets limits on what it will tolerate from its citizens, and endeavors to make laws that protect its majority.

That goes for social mores as well. In the more democratic countries such as ours, laws are written to protect the minority from the potential abuses or overreach of the majority. Here I’m speaking of the abridgment of an individual’s right to personal expression. However sacrosanct they may be, these rights of personal expression do not extend to infringing on the rights of others.

In a healthy society, room is left for such expression, but certain minimum standards of acceptable behavior are expected for when individuals leave the privacy of their homes and enter society at large. This has been the ‘unwritten law’ that has been reflective of our Judeo-Christian culture for centuries. Though it has occasionally been imposed by governments, many wrongs are now being righted.

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Each society codifies what is legal and socially acceptable (or normal) behavior and then expects all its citizens to observe those definitions and live within the established boundaries.

No society is immune from change, however. Change is one of the constants we must all deal with. Today, our culture is being challenged with respect to what we view as ‘acceptable’ morality. Indeed, these challenges have been building for some time as America has been in the thick of cultural change. It has moved steadily away from a traditional majority-centric society towards a minority-weighted one. This is particularly confusing and indeed unacceptable to many people, especially those of us in the older generations who grew up with a set of traditional values with long-established, long-recognized norms.

It is especially true when it comes to how our society views male/female roles.

Today, we are experiencing a broad-based attack on those roles by a minority that believes that even the most basic sexual identification of male and female is outdated and unusable in modern society. To add to that, they believe that there should be a multiplicity of ‘gender choices’ – expressions of personal sexual preferences that supersede their actual biological sex. One of those gender choices manifests itself in what is commonly known as ‘cross-dressing’ where (usually) men who see themselves as leaning heavily female choose to dress themselves in women’s clothing and attempt to ‘pass’ for women.

Apart from those who earnestly feel more female than male, there is another group that has taken cross-dressing and made it an ‘art form.’

Those choosing to partake in this art form usually adorn themselves in garish, outlandish garb that is particularly suited for the stage rather than the street. In times past, these performers were known as ‘female impersonators’ but are now known as ‘Drag Queens.’ While their sexual preferences were generally thought to be homosexual, some may have been heterosexual or bi-sexual and simply enjoyed crossing over to the ‘other side’ of the sexual aisle.